Dealing With Losing Subject Matter Experts
Posted January 11, 2021
in
Good afternoon videographers,
I've been a bit of a ghost on this platform, but I'm hoping one of you or some of you would grant me your wisdom with a dilemma I am having.
I've been dealing with a heavy surge of losing subject matter experts before I even get them on camera. Most have stated they feel overwhelmed from simply reviewing the outlines I've sent them and bow out just before our scheduled time to film. It has been about three weeks of really digging in and trying to find people to be on camera and I am becoming exhausted.
Part of myself is wondering if I'M doing something wrong.
Has anyone else fallen victim to this problem? How were you able to get out of this hole? How did you build a steady base of subject matter experts who you could rely on?
I've been a bit of a ghost on this platform, but I'm hoping one of you or some of you would grant me your wisdom with a dilemma I am having.
I've been dealing with a heavy surge of losing subject matter experts before I even get them on camera. Most have stated they feel overwhelmed from simply reviewing the outlines I've sent them and bow out just before our scheduled time to film. It has been about three weeks of really digging in and trying to find people to be on camera and I am becoming exhausted.
Part of myself is wondering if I'M doing something wrong.
Has anyone else fallen victim to this problem? How were you able to get out of this hole? How did you build a steady base of subject matter experts who you could rely on?
12 Comments
Log in to leave a comment or
Sign Up for Free
I know that's frustrating and throws off your production schedule, which personally, is the worst thing ever.
In my experience, a large part of filming is salesmanship. This specifically means that leading up to, during, and after a shoot, I'm constantly building up my SME's.
Things I constantly say with sincerity:
Before the Shoot
After the Shoot
But they ARE good enough. They know more about the subject than anyone else. They're the friggin' experts!
Remind them of that!
A few tricks to help get them comfortable:
How often do you have your gear set up so people can just get used to it? Video production is new, exciting, and sometimes scary for a lot of folks. So by demystifying it (I'll even take people on a walk-through of all my equipment and explain some of the post-production) you can highlight how B-Roll works and reinforce your skills as an editor.
Best of luck to you as you continue to produce awesome video content. Let me know if you get any progression and what works for your SME's!
Best,
Devon